Drawing for Das Glas im Kopf wird vom Glas, de danssecties (1987) by Jan Fabre

Contents

Notes on Contributors
pages 411-413

Editorial
Maria M. Delgado, Maggie B. Gale & Dominic Johnson
pages 414-415

Articles

Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich
Marcus Tan
pages 416-428

Who’s Pulling the Strings? The Politics of Puppetry in the Théâtre du Soleil’s Tambours sur la digue
Lara Stevens
pages 429-443

Tolerance and History: Theatre of the Australia–Japan Relationship
Yuji Sone
pages 444-456

‘Affective Assemblages’ and Migrant Worker Theatre
David Fancy
pages 457-467

Tracing Creation: The Director’s Notebook as Genetic Document of the Postdramatic Creative Process
Frederik Le Roy, Edith Cassiers, Thomas Crombez & Luk Van den Dries
pages 468-484

Documents

Thick Description/Thin Lines: Writing about Process in Contemporary Performance
Paul Allain
pages 485-495

Rewriting the Script: The Impact of the Development and Rehearsal Process on Ian McHugh’s Play How to Curse
William McEvoy & Ian McHugh
pages 496-505

Fusing the Serious and the Ridiculous: An Interview with Brown Council (Sydney, Australia)
Jason Price
pages 506-512

Reviews

After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack
Joe Kelleher
pages 513-514

The Forest and the Field: Changing Theatre in a Changing World by Chris Goode
Caridad Svich
pages 514-515

Playing God: The Bible on the Broadway Stage by Henry Bial
Joshua Edelman
pages 515-517

Food and Theatre on the World Stage edited by Dorothy Chansky and Ann Folino White
Joshua Abrams
pages 517-518The Theatre of Marie Jones: Telling Stories from the Ground Up edited by Eugene McNulty and Tom Maguire

Radical Contemporary Theatre Practices by Women in Ireland edited by Miriam Haughton and Mária Kurdi

Isobel Plowright
pages 518-520

The Art of Living: An Oral History of Performance Art by Dominic Johnson
Jane Blocker
pages 520-521

Akram Khan: Dancing New Interculturalism by Royona Mitra

Indian Modern Dance, Feminism and Transnationalism by Prarthana Purkayastha

Brazilian Bodies and their Choreographies of Identification: Swing Nation by Cristina F. Rosa

Choreographic Dwellings: Practising Place edited by Gretchen Schiller and Sara Rubidge

Melissa Blanco Borelli
pages 521-523

Abstracts
pages 524-528

Backpages

Les Blancs and the Unknown Lorraine Hansberry
Drew Lichtenberg
pages 529-533

Ghost and Guest: Staging Hospitality in the 2015-16 season
Robert Duffley
pages 533-536

Performance and the Maternal
Emily Underwood-Lee and Lena Šimić
pages 536-539

Our arsenal of anger, our terrible rage: on the radical feminisms of Melanie Wilson, Caryl Churchill and Audre Lorde
Maddy Costa
pages 539-542

The Semiotic Turn and thinking on Ric Knowles’ How Theatre Means
Alan Read
pages 542-544

Appreciation: Arnold Wesker (1932 – 2016)
David Edgar
pages 544-547